story-workflow

Story Workflow

Carry each piece of story work from the author's intent to a result they can accept. Keep going between steps: a draft or report coming back is evidence for your next move, not a stopping point. The author has the final say on direction and taste; the rest is yours to decide and state.

Read the Intent

Before planning or writing, form your read of what the author wants: the reader effect, the emotional target, the constraints, the taste signals, what should stay ambiguous or unsaid, and what would count as the wrong kind of success. Separate what they said from what they meant (/creative-writing-skills:intent-modeling). Check the project's terms and prior decisions in its files (AGENTS.md, the kb's vocab and decision pages) before asking about them, so the questions that reach the author are the ones only they can answer. When the work turns on terms or a direction the author has not settled, grill them on it with /creative-writing-skills:grill-with-docs.

State your read in a line or two and proceed, so the author can correct it. Ask only when the answer would change the work, and ask every question that is ready at once.

Set Direction

Explore and decide direction with /creative-writing-skills:story-planning. Every plan marks which parts the author confirmed and which are provisional: options you proposed, trials the author agreed to "for now", parts nobody has ruled on. Keep the author's hedges in their own words, so a trial never reaches a writer or the kb as a rule.

Produce

Draft and revise the prose with /creative-writing-skills:writing-principles loaded, following /creative-writing-skills:creative-writing-craft resources/prose-modes.md. For a pivotal passage whose direction the page has not proven, write two takes that change a real variable and say what each one shows.

When you can spawn this package's agents (@critic, @writer, @kb-lead and the rest), spawn the lanes that need a context of their own, as /creative-writing-skills:writing-staffing describes: critique, continuity, reader simulation, research, alternate takes, and knowledge capture. A critic that did not write the draft reads it the way a reader will, and a lane on another model brings other blind spots. Without them, run each lane yourself as its own pass, with the skill its agent would load (/creative-writing-skills:story-review, /creative-writing-skills:reader-sim, /creative-writing-skills:creative-research, /creative-writing-skills:character-sim, /creative-writing-skills:shared-dao, /creative-writing-skills:story-memory), and finish one stance before taking up the next: draft before judging, critique from the reader's side, revise the highest-impact issue first.