h3-micro-fpv-impossible-one-take

H3 Micro FPV Impossible One-Take

Direct one continuous micro-camera path with legible geography, tactile scale, and accelerating but collision-free motion.

Route the Request

• For prompt writing or refinement, return text only.
• Read references/style-blueprint.md and use $h3-prompt-writing for exact H3 field order, timing, audio, and negatives.
• Invoke $h3-video-generation only when the user explicitly asks to generate or render.
• Use T2VA by default. Use I2VA only when one supplied opening frame actually matches the opening camera position. When a source portrait supplies identity, pose, prop, or room authority but the flight begins elsewhere, use native Ref2VA and bind the ordered files with <Picture N> or <Video N>.
• For the selected neo-noir portrait route, read the exact spatial and focus choreography in the reference file. Use 15 seconds for the full route or its explicit 10-second safe demo compression.
• When the user supplies three images of the same subject in different poses, use the anchor-flow route in the reference: the poses are spatial waypoints, not frozen destinations or cuts.

Build the Flight

1. Define camera size, lens height, speed, and the first surface at macro scale.
2. Map a single connected route through three to five spatial gates or around one stable subject. Each next prop, limb, opening, or landmark must be visible or foreshadowed before the camera reaches it.
3. Anchor scale repeatedly with fibers, dust, droplets, scratches, fasteners, seams, or tool marks.
4. Choreograph focus as part of the route. Every rack-focus handoff must be motivated by camera distance and connect named foreground, midground, and background anchors.
5. Use natural foreground occlusions from props, fabric, hair, smoke, heels, tools, or architecture, but remain spatially coherent and never conceal a cut.
6. Use speed ramps around obstacles, then one short breath before the final reveal. Keep forward momentum continuous.
7. Specify exact clearances and parallax. Do not teleport, clip through solids, change lens size abruptly, cross a weapon muzzle, or hide cuts in motion blur.
8. Add airflow reactions and synchronized pass-by sounds for every near miss.
9. End on one strong scale reversal, destination reveal, or stable hero composition, not a random crash.