aaabench: Skill for Claude Code

Camera systems

The camera is the player's window; bad camera work makes a good game feel awful. This skill covers the engine-neutral camera techniques — smooth follow, deadzones, look-ahead, bounds clamping, third-person orbit with collision, first-person look, and multi-target framing — and maps them onto each engine's camera node or rig.

When to use

• Use when a 2D camera should follow the player smoothly, stay inside the level, lead the player's motion, or ignore small movements (deadzone).
• Use when building a 3D third-person orbit camera (mouse/stick look, collision push-in) or a first-person look controller, or framing multiple targets at once.
• Use to fix camera jitter, snapping, motion sickness, or a camera that shows past the level edge.

When not to use: for the magnitude and trigger of screen shake and impact juice, use game-feel (this skill exposes the shake offset hook it drives). For the engine's concrete camera node/component setup, use godot-3d-essentials (Camera3D, environment) or the engine skill. For player movement itself use the engine movement skill (godot-2d-movement). For performance of many cameras/render targets, see performance-optimization.

Core workflow

1. Decide what the camera serves. Platformer (lead the jump, see hazards), top-down (center with deadzone), third-person (orbit + collision), first-person (look only). The genre sets the rules.
2. Follow smoothly and frame-rate independently. Move the camera toward the target with exponential smoothing or a spring (SmoothDamp), not a fixed lerp(a, b, 0.1) — that 0.1 is per-frame and changes with frame rate.
3. Add a deadzone so tiny target movements don't nudge the camera; it only follows once the target leaves a box/zone. Stops nausea in twitchy games.
4. Lead the action with look-ahead by offsetting the camera target in the direction of motion or facing, eased in/out so it doesn't whip.
5. Clamp to level bounds so the camera never shows outside the playable area; combine with smoothing so it eases to a stop at the edge.
6. For 3D, separate look from collision. Orbit via yaw/pitch on a rig; use a spring arm / ray to pull the camera in when geometry blocks it; clamp pitch.
7. Update the camera after the target moves. Follow in the late/post step (after movement and physics resolve) to avoid a one-frame lag jitter.
8. Verify by moving the target at low and high frame rates, into corners and walls, and at the level edges; confirm no jitter, no peeking past bounds, smooth stops. Report what you saw.